One of those directors happened to be former DreamWorks director Jennifer Yuh Nelson ( Kung Fu Panda 2 and 3), who directed season 2’s LDR short “Pop Squad” and season 3’s “Kill Team Kill.” She also serves as an executive producer this season.
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Miller (director of Deadpool and Terminator: Dark Fate) and co-creator David Fincher (director of Seven, Fight Club, Zodiac, and much more) launched the anthology series in 2019, picking a wide variety of directors and studios to work on the shorts. And unlike other staples of adult animation, like Big Mouth or Family Guy, Love, Death & Robots is a genre spectacle, adapting various science fiction and fantasy stories.Ĭo-creator Tim Miller says he hand-picks the stories from the vast collection of short-fiction anthologies on his Kindle. None of the shorts shy away from gritty, hardcore elements: blood and guts, nudity and sex, horror and horniess galore. It’s like nothing else in animation right now: Each episode tells a different, self-contained story ranging in tone from crass comedy to dark drama. And not just because pandas are critic-proof.Netflix’s anthology series Love, Death & Robots returned for a third installment on May 20 in all its edgy, red-band glory. It’s as simple and as satisfying as that.
Simmons, Bryan Cranston, and Kate Hudson)-realizes his potential and saves the day.
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It kind of doesn’t matter though, because the movie moves inexorably to a climax wherein Po conquers his fears and misgivings, embraces the awesome, and with the help of friends and family-all being voiced with maximum likable sincerity by the best cast in the business (luminaries such as Dustin Hoffman, Angelina Jolie, Seth Rogen, Lucy Liu, Jackie Chan, and David Cross all return, while newbies include J.K.
None of this makes a whole lot of sense even in a world in which cranes adopt pandas and raise them as their own, and a lot of the plot points and catchphrases made me suspect the screenwriters just picked a lot of Sun Ra and Return to Forever song titles at random and dumped them into a Final Draft edit function. Turns out Li’s on a mission that was shown to him in the form of a letter from the universe. The plot thickens when Po’s biological father (series adepts know that Po has been adopted by a crane) Li shows up to bring him back up to Secret Panda Village. After some martial-arts-equipment-destroying rounds with old pals Tigress, Mantis, Viper, and Monkey, Po has been pummeled back into the identity crisis that’s occasionally haunted the so-called Dragon Warrior throughout the series. When we see him on Earth, Po is having trouble enough taking over the martial arts school from supposedly retiring master Shifu. His quest will end, he proclaims, when he bests the last earthly master of chi, who happens to be our hero Po. The movie opens with Po’s former master Oogway (Randall Duk-Kim) relaxing in the spirit realm, where he’s unfortunately confronted by bullish warrior Kai, who’s on a mission to rule all being and non-being by stealing the “chi” (life force) of a panoply of masters. “Be the best you you can be” is this movie’s message, and writers Jonathan Aibel & Glenn Berger, and directors Alessandro Carloni & Jennifer Yuh heed their own advice throughout this brisk romp. This panda doesn’t pander-there are scant, if any, nudging pop-culture references soliciting laughter from knowing grown-ups. The colors are beautiful, the design of the varied realms is ingenious and pleasing, the animation fluid and graceful. “Kung Fu Panda 3,” in spite of its abundant action-and for all the interspecies mashups, this is as much an action-adventure animated movie as it is a funny-animal animated movie-is a pretty relaxing experience for the adult viewer.